#Hal 9000 singing professional

This red glowing lens seems to be positioned in several locations around the ship, and acts as both a focal point for the crew to communicate with HAL, but also the key sensor that HAL has to observe what is going on within the ship. One instance of a physical object that represents the manifestation of HAL in the real-world is the previously mentioned eye-like lens. This interaction also suggests the presence of an intelligent assistant that is unbound to the confines of the product itself, and able to move between devices, as HAL does when operating the space-pod. The further the interface distanced itself from the object it controlled, the more it became an assistant fallible to the same mistakes and inabilities a human assistant might have. Throughout our work with VUI design, we discovered that users were far willing to accept вЂdead-endsвЂ™ (interactions that canвЂ™t continue any further) when the interface was unable to вЂcontrol the productвЂ™ rather than вЂbeing the productвЂ™ itself. my AE-35 unit), as well as the userвЂ™s expectation of what the interface should be able to control. This distinction directly affects the form of the dialogue ( the AE-35 unit vs. This question of an intelligence behind the hardware is an important one with voice interfaces that have a physical manifestation, whether a mobile device, a home appliance or a vehicle. He apparently has nearly complete control over all elements of the craft, but when referencing a problem, he claims that: вЂњIвЂ™ve just picked up a fault in the AE-35 unitвЂќ, suggesting that the unit is an entity into itself.

In all intents and purposes, HAL is both an occupant of the ship, and the ship itself. This connection between dialogue and tone forms the basis for any interaction and must both work in synthesis to avoid this dissonance, that can result in an experience ranging from comical to terrifying. The dissonance between the dialogue and the tone informs the audience that there is something fundamentally wrong with the interface. As elements of HALвЂ™s system are removed, the voice begins to audibly deteriorate, and in one of the filmвЂ™s most chilling moments, returns to factory settings singing a nursery rhyme like a young child. HALвЂ™s cold functionality works against it at a time that it needs it the most.

When Dave, the last remaining crew member, out-smarts HAL and begins to disassemble his CPU, the interface begins to plead for its life, but is unable to inject the emotional sympathy required from the human. Perhaps sometimes itвЂ™s better for the robot to stay a robot. The вЂuncanny-valleyвЂ™ - the sense that this thing is almost human, but not quite - is very much present within the voice of HAL, and suggests that sometimes the design of a NLI should not always try to emulate the human tone exactly. This works within the context of the film because it is HALвЂ™s sense of self-perfection (вЂњWe are all, by any practical definition of the words, foolproof and incapable of errorвЂќ) that motivates him to murder the crew. That said, there is something вЂoffвЂ™ about the exact tone of HAL something that suggests an underlying arrogance and self-righteousness, perfectly played in the film by the voice actor Douglas Rain. HAL is the synthesis of вЂbrandвЂ™ and functionality into character form, and itвЂ™s also what makes the shift to a more emotional dialogue more chilling in the finale. One might argue that the human characters in the film are as equally cold and unemotional, and it seems very much the intent of Stanley Kubrick, the filmвЂ™s director, to highlight this. It is a character that represents the logical efficiency of the ship and the mission in general.

#Hal 9000 singing professional

The cold, functional tone of the voice and measured pacing, seems to be intended to maintain a sense of professional calm an interface perfectly designed for the stresses of space travel. Um, of course heвЂ™s programmed that way to make it easier for us to talk to him, but as to whether or not he has real feelings is something I donвЂ™t think anyone can truthfully answerвЂќ. вЂњWell, he acts like he has genuine emotions. At one point in the film, one of the human characters reflects that: However, despite how вЂnaturalвЂ™ the language of HAL is, he (they? it?) is a few degrees away from being вЂhumanвЂ™. ThereвЂ™s no need to stop and repeat a wake-word at every new question or request, and pronouns (he, she, they, it) function based on the noun from earlier in the conversation just as a natural conversation would. The dialogue between the members of the crew and the interface flows back and forth and build upon the previous subject. HAL 9000 could certainly be described as a natural language interface.